4.27.2010

Zombieland



Theatrical Release: October 2009


Rated: R for "Rampant zombie-bashing"

Genre: Dark comedy. With zombies. So... "Zombedy"

Starring...

Woody Harrelson as Tallahassee: A tough, no-nonsense zombie hater from the suburbs who just wants to prove that he can serve beer in a Boston dive bar with Wesley Snipes

Jesse Eisenberg as Columbus: The scrawny, jittery, terminally awkward guy normally played by Michael Cera. But since Cera's little star has risen like Hef after a Viagra-rita, this film couldn't afford our little George Michael, so we're stuck with this low-rent Bleeker

Emma Stone as Wichita: I feel like I should know this girl but I just look at her and see every other 20-something actress who can turn her head to the side and smile for the cameras while wearing more eye makeup than Billie Joe Armstrong

Abigail Breslin as Little Rock: Yep. Little Miss Sunshine.

Overview: Well, I called it. How does civilization as we know it end? Not with a meteor crash or nuclear winter or even something retarded like plant toxins killing everyone... Nope, it's a zombie apocalypse. And in the post-apocalyptic world, a skinny little virgin with a double-barrel pairs up with Woody from Cheers so they can trek across the country in search of a Twinkie and possibly a sanctuary city. Along the way, they get screwed by a couple of girls (and not in the good way) but eventually reconcile as they make their way to Los Angeles. Because there's no better place to be when a zombie infestation has taken over the living than a densely populated urban area.

Expectations: So-so. Zombie movies have been done to death in the past few years and with rare exception (28 Days Later; Shaun Of The Dead), they were pretty predictable and sorta... Meh. Don't get me wrong, I love the idea of zombies. As evidenced by the Easter eggs I made this year...
Happy Zombie Jesus Day!

In the decades since George Romero brought us Night Of The Living Dead (link is for entire movie!) in 1968 and the sequel a decade later, Dawn Of The Dead, there have been scores of crappy zombie movie imitators to sift through. (See: The Stuff; Return Of The Living Dead; and The Evil Dead, which - face it - sucked) Zombies movies, like vampire movies, are a dime a dozen. For a long time, Hollywood was content to even crank out the same kind of zombie over and over, with few changes to the formula if any. Zombies were almost always just dead people, risen from their graves thanks to a secret government weapons-grade fog or comet passing too close to the Earth. Their characterisitics were boring and not too frightening, just a group of cadavers walking slowly with their arms outstretched and a low gutteral moan begging for some "Braaaaaiiiiins!!" The rules were always the same... 1) Dead bodies risen from the grave - 2) Stiff, shuffling gait with arms outstretched - 3) The only way to kill a zombie is to destroy the brain. If you wanted to make a different kind of zombie movie, you had to either move locations ("Let's set 'em loose in a swamp!"), utilize better effects than your predecessors, or do it in space or some shit like that. Zombies were zombies and there weren't gonna be no changes. 
Unions are notoriously slow to change...


Sometime around the turn of the 21st century, however, zombies moved into a scarier realm: The sprinting zombie. Gone were the days of finishing your sandwich, tidying up the kitchen, weedeating, and checking the mail before the slow-moving undead made their way into your neighborhood. Suddenly zombies were keeping up with Usain Bolt. Add to this newfound ability to haul ass, the second transformation to the zombie genre that made it more frightening and more real: the mode of transmission. While your grandpa's zombies were slow and mostly decayed, the 21st century zombies are just normal people infected with some sort of super-virus, usually manmade (The Rage from 28 Days Later, for example). Now, when a zombie bites someone or vomits blood on them or a you smash their head with a banjo and you get a little blood in your mouth, chances are you're infected too. A short while after transmission, you've got another crazed flesh-eater wreaking havoc at the PTA meeting. And then they bite two friends... And then they bite two friends... And then they bite two friends... And then they bite two friends... Fortunately, the best thing about zombies is the one thing that hasn't changed. Hell, no one's even tried to improve upon it. The very best thing about zombies is that they're easy to kill. Provided you just destroy the brain. In any manner you find appealing! Shoot it; crush it in a vise; set it on fire;  light a stick of dynamite disguised as a cigar, offer it to a zombie and run; it doesn't matter! Just destroy the brain...
And my favorite part of this next generation of zombies is that they usually attack in the daylight. No spooky abandoned warehouses or cemeteries to avoid. They'll find you at two in the afternoon, at the $5 DVD bin at Walmart if they have to. A zombie attack in good lighting, when you can see everything, is much scarier than a partially hidden one. And I'm a big fan of the new breed of zombies because, frankly, the shuffling corpse variety is completely unbelievable and easily solved with enough ammunition and a high vantage point.
Headshot!
Now that we've established why Zombie 2.0 is now the preferred version to feature in your movie, let's talk about Zombieland. A virus has swept the country, possibly the world, and left the few remaining survivors in a post-apocalyptic world akin to Mad Max meets Resident Evil. Now surviving isn't strictly about a person's physicality so much as it is a mindest, although it never hurts to be in shape when zombies run. If you don't have the will to survive, you're going to end up as zombie poop, no matter how many crunches or chin-ups you can do. 
That's how we're introduced to Columbus, our protagonist of Zombieland. Together with his relunctant sidekick, Tallahassee (no names, it lends to getting emotionally involved with someone) they travel from Texas eastward, headed to their namesakes to find... I dunno, maybe they forgot their wallet on the nightstand. I wouldn't go back for anything except my kid.
Not Michael Cera...


Columbus and Tallahassee are very different people. Tallahassee (Woody Harrelson) is a loveable redneck who wears a snakeskin jacket, cowboy hat, and seems to have born to think up new ways to kill zombies. Columbus (not Michael Cera), on the other hand, is jittery, nervous, formulaic, and has devised his own set of rules that he literally lives by regarding zombies and how to stay prepared to stay alive. The entire list (the highest number rule is 32) is never laid out in the movie but I'll take care of that after we examine the partial list below...


Rule # 1: Cardio

Couldn't agree more. In fact, if you wanted to survive the zombie apocalypse, it might not be a bad idea to pal around with some well-armed fatties. Eventually they're going to have to reload, which means they'll have to run away, which means they'll eventually peter out. According to Max Brooks, author of The Zombie Survival Guide, since zombies feel no physical sensation whatsoever and their stamina is not dictated by pain or exhaustion, they can go on running indefinitely. FOREVER. How long do you think a redneck smoker with a 40-pound beer belly carrying a 7-pound Mossberg can run with two 3-pound boxes of shotgun shells banging around in his cargo pockets while trying to reload? Not nearly as long as it took you to read that sentence. So try jogging a little. Because you just have to be faster than one person.
Zombie food...
Rule # 2: Double tap

This one's a no-brainer (Zombie joke!) To avoid the sudden reanimation of the zombie you were certain you just put down, go back and hit / shoot / stab / drive over that thing one more time. Just to be sure...

Alternate Rule # 2 (Deleted scene): Ziploc bags


Wouldn't it suck if your matches, ammo, map, or cigarettes got soaked. Like Not Michael Cera says: "You've got enough problems in Zombieland without moisture being one of them."

Rule # 3: Beware of bathrooms


Unless you can forever poop with a loaded 12-gauge pointed at the stall door. Me? I gotta relax a little more than that. I would recommend finding a bathroom with a locking door made of heavy metal.

Rule # 4: Fasten your seatbelt


Because zombies, unlike T.J. Hooker, can't hang on to the hood of your car when you jam on the brakes at 65mph. Also, seat belts save lives...

Rule # 6 (Deleted Scene): Cast iron skillet


In a house where virtually no other weaponry is available, this is gonna have to do. Not to mention it's solid and heavy so any pan-to-skull contact is gonna feel like hitting the sweet spot on a Louisville Slugger.


Rule # 7: Travel light


You certainly don't wanna be hauling around Her Royal Highness's matched luggage. Just a clean pair of underwear, socks, 2-3 shirts, and an extra pair of jeans. Everything else you can pick up on the road, if need be. Our hero, Not Michael Cera chose one of those gay little suitcases with wheels on it. I take issue with this and I'll be covering this more in-depth later.

Rule # 12 (Deleted Scene): Bounty paper towels


Although a good rule to keep unwanted fluids at a minimum, I felt this deleted scene was a shameless commercial. Eat it, Bounty! I use Brawny!

Rule # 15 (Deleted Scene): Bowling ball


Apparently this makes a helluva weapon according to Oh-Shut-The-Hell-Up. A bowling ball is a terrible weapon. It has no handle, it's nearly impossible to control, and it's stupid heavy. You might as well just carry around a big ass rock.

Rule # 17: Don't be a hero


Both versions are true. It just depends on who you're willing to be the hero for. Choose wisely...

Rule # 18: Limber up


Kinda goes hand-in-hand with cardio. The couch potato fatties will be the first to go in the zombie apocalypse. No one wants their epitaph to read:
"Eaten by zombies when he pulled a hammie. Shoulda stretched"

Rule # 22: When in doubt, know your way out


Great bit of advice. Always have an exit strategy. Don't get yourself backed into a corner. Don't always assume you can run roughshod into Iraq some unknown building unless you have a clear plan of action with a known egress point. 
It's called "planning", Bobby. It's its own reward...
Rule # 29 (Deleted Scene): Buddy system


Like a field trip to science museum, the buddy system works. Unless you're both overpowered and eaten by zombies but at least you died with your buddy nearby.

Rule # 31: Check the back seat


Right. Because zombies are known for their cunning use of the Hiding-In-The-Backseat-So-No-One-Can-See-Me technique. This rule should be amended to "Check the back seat for anything useful."

Rule # 32: Enjoy the little things


In this case, the little things are Twinkies, Ghostbusters, a secure place to poop, and getting to first base with a girl who left you for dead.

Rule # 33 (Deleted Scene): Swiss Army knife


Not a bad idea. Provided your Swiss Army knife looks like this...


Seriously. This is Zombieland. Not the Boy Scout Jamboree...

I can't tell you how much I really liked this movie. There's something about watching a movie about surviving a zombie apocalypse that sets me to daydreaming about how well I'd do in just such a scenario. It's the same rush of adrenaline I get when I watch Survivorman and scrutinize a professional by telling myself what I'd do better. Personally, I think I'd be fucking awesome in Zombieland. And not just because I've already developed a contingency plan that involves heading to the mountains of West Virginia with a rented camper and the fact that Omaha is a badass nickname). While this might seem a little arrogant, don't judge me until you read my list of additional rules...


Add Rule # 5: Always carry a non-firearm weapon


This is where I shine. Your arsenal just can't be a bunch of guns. Guns rust, they run out of ammo, they jam (remember SPORTS!), they take time to reload, and ammo is very heavy and not always available. When you're out of ammo, you're just a guy being weighted down by a big metal stick.


Your best bet for a full zombie attack armory can be found by raiding your local Home Depot's Lawn & Garden section. My personal favorites...
Round Point Shovel: Easy to find, requires no cleaning or special training. Sharp steel tip, great for stabbing at the zombie's head. Great multipurpose tool. The handle on the end is recommended, for optimal thrust. Fiberglass shafts only.
Steel crowbar: Another great multipurpose tool and a favorite of Max Brooks, the man who literally wrote the book on surviving the zombie apocalypse. Short, comparatively light, easy to swing, and great for close-range bludgeoning or stabbing. 
Machete: A good standby weapon. Always have a couple of these where you can reach them, including one sheathed on your belt. Works equally well for Rwandan genocide...
Ditch Bank Blade: My personal favorite. Lightweight for its size, sharp as hell, and it gives you a good 2-3 feet of distance between you and the infected. Ya know, so you don't get brain spray on you. Is the guy behind me a zombie? 


Claw hammers are no good because, although weighty and fun to wield, you have to get awfully close to use it. Matter of fact, any weapon with a claw end on it is no good at all. Axes and pickaxes, especially, will get caught in a zombie like they do in a wood-splitting log. Then you're screwed. But don't think of this list as all-inclusive. After all, it's your zombie apocalypse, too. Get creative!


But if you're the kind of person who has to have a gun...


Add Rule # 8: Always reload immediately


As soon as your clip is emptied or both barrels have been fired, reload. Don't wait. Even if you think the coast is clear.


Add Rule # 9: There's safety in numbers


Don't try to go it alone. And don't break away from a group of people because you don't wanna get too attached. In one scene in the movie, the girls run away from their male survivor counterparts because... They're hormonal, shit, I don't know. Maybe they thought being "safe" meant being "vulnerable." Ultimately, it almost cost everyone their lives. So... Way to go.


Add Rule # 10: Backpacks

The most universal tool you can have. It carries food, medicine, ammo, smaller handheld weapons, and your Ziploc baggies. They also free your hands in order to fend off an advancing attacker, reload your pump-action, or unwrap a Twinkie. Everyone on LOST wore them and they survived a time-traveling island that keeps the evil out of the world.

Add Rule # 11: A mode of transportation NOT gasoline-powered


Eventually, you're gonna find yourself stranded without a gas station. When that happens, you can either live in that GMC Suburban which used to be a fort on wheels or you can pull that 10-speed out of the back and ride it somewhere safe. Or a Razor scooter, whatever...


Of course, everyone is going to have to survive depending on their particular environment when if zombies overrun the Earth. But this movie just takes an obsessive-compulsive's rules for surviving an unsurvivable situation and allows you to laugh at it. A funny exploration of a genre that, quite often, takes itself a little too seriously. But not as serious as vampires. The sequel should be Vampireville...

Overall: 8 out of 10. A hilarious movie. I forgot how good Woody Harrelson was at doing comedy. And that's what this movie is. It's not to be taken seriously and you shouldn't try to glean any life lessons from the subtext. It's just a funny movie about bashing zombies. Kissed him upside the cranium with an aluminum baseball bat. 


But it was just too short! Excluding credits, the movie was about 1 hour, 25 minutes or, according to Rob, just 3 minutes short of the Spongebob Squarepants movie. There was easily another half hour of story with killer jokes that could've been included, just by adding the "rules" from the deleted scenes. Also, for zombie survival purists like myself, there were a few glaring omissions from The Rules.

Best Scene: 

**SPOILER ALERT SPOILER ALERT SPOILER ALERT SPOILER ALERT**


Bill Murray. I have no idea why he chose to play himself in this movie but it was awesome. Maybe he needed the paycheck. Maybe he knew someone on the production staff. Maybe the producers just came to him and said "We want you in this movie. You can shoot it in one day and you never have to leave your house. And don't bother learning any lines, just make shit up as you go. Also, we'll pay you a gazillion dollars. We cool?"

If you haven't seen it yet, I've already given too much away (Why didn't you pay attention the SPOILER ALERT?!) When Tallahassee meets Bill Murray and goes off on a fanboy rant about how awesome he is, I am Tallahassee in that scene. And then to sit around in Dr. Peter Venkman's house, smoking pot, listening to BOC, playing Ghostbusters(!), well I can't believe that was all in this movie. 


Best Lines: 


Tallahassee: I'm not good at farewells, so... That'll do, pig.


Little Rock to Bill Murray, as he's dying: Do you have any regrets?
Bill Murray: 'Garfield', maybe?


Little Rock: Who's Bill Murray?
Tallahassee: Look, I've never hit a kid before...

What my wife said: She was too busy gloating over her choice. She picked this movie out. I wanted to watch The Informant.

Who would enjoy this movie: TV producers. Because when there is a zombie apocalypse, you better believe that shit's gonna become a reality show. The real SURVIVOR.
Braaaaaaaiiiiiiinnns?
Watch it if you like: Shaun of the Dead; Army of Darkness; Buffy the Vampire Slayer


Next in the Q: Maybe Howard the Duck... Depends on how dated it feels when I watch it.

4.12.2010

Pulp Fiction


Theatrical Release: October 1994 

Genre: Quentin Tarantino

Sub-Genre: Violent Crime Gangster Flick

Starring: 

John "I turned my driveway into a runway" Travolta as Vincent Vega

Samuel L. "I want a purple lightsaber" Jackson as Jules

Bruce Willis as Butch (Spoiler Alert! He's dead the whole time!)

Ving Rhames as Marsellus Wallace

Uma Thurman as Mia, Marsellus Wallace's wife

Eric Stoltz as Lance, your friendly neighborhood smack peddler

Rosanna Arquette as Lance's annoying mullet-headed wife

Tim Roth as Pumpkin (aka: Ringo), the annoying limey who thinks robbing restaurants is a great idea

Amanda Plummer as Honey Bunny, the other dumbass robbing the restaurant currently being patronized by one Bad Motherfucker and his Scientologist Sidekick

John Provost as Timmy

And of course... Lassie

Overview: Let's start with a British guy and his possibly cancer-stricken girlfriend (seriously, girl, get some sun) eating breakfast while smoking in a Denny's, discussing their recent revelation that they should've been robbing restaurants all along. Robbery begins, then cut to the credits. Moving forward...


Two hired thugs dressed like Men In Black rejects, Jules and Vincent, start by going to Brett's apartment (Brett's not important, except to note that Big Kahuna is a tasty burger!) to impart the message from Marsellus Wallace that debts must be paid on time. Jules proceeds to get all biblical on Brett after eating his Big Kahuna burger and slurping the last of his Sprite. Meanwhile, it's not OK to give another man's wife a foot massage and in Amsterdam, the quarter-pounder is called The Royale with Cheese. Next scene...


Bruce Willis (Butch) breaks the record for marathon sneering in one of the longest continuous scenes of no dialogue spoken. Well, Marsellus Wallace is talking but he's off camera. Wallace tells Butch "Your ass goes down in the fifth," referring to a boxing match he's paying Butch to throw. There's a brief pissing contest between Butch and Vincent Vega with no clear winner, then in the next scene, Butch is jumping out of a window into a back alley because - surprise! - his ass didn't go down in the fifth. Not the smartest thing a guy could do, choose his pride over the shitstorm he would encounter by double-crossing LA's most notorious gangster. While trying to get the H-E-double-hockey-sticks out of town, Butch realizes he forgot his father's watch. Technically, his hot (yet annoying) French girlfriend forgot it when she was packing. Why is the watch so important that Butch would risk certain torture at the hands of Marsellus Wallace to get it? Why don't we let Christopher Walken explain?...

I only have two simple requests if I should meet an early death: 
1) I want the lyrics to Jethro Tull's "Skating Away On The Thin Ice Of A New Day" to be my eulogy and... 
2) I want my eulogy read by Christopher Walken. 


Believe it or not, Butch does get his watch back (with a bonus Pop-Tart!) but as he's driving away, he just happens to encounter Marsellus Wallace. In the crosswalk. Randomly. In Los Angeles (population: 9,280,600 in 1994). Butch realizes this encounter could cost him his life so he decides that Marsellus should "encounter" the front end of his Honda in order to get out of there and save his own ass. There follows shortly after a scene in the basement of a pawn shop that I have a hard time remembering due to its traumatic nature. Most of my memory is being repressed but I know it involved a security guard named Zed, a hillbilly, some ball gags, and a gimp. But FYI, Butch exacts revenge via a samurai sword. Weapon of choice: Badassery...






There's also a cheesy storyline whereby Vincent Vega takes out Mia, Marsellus Wallace's wife, while he's out of town on a gangster business trip. They go to Jackrabbit Slim's, a corny 50's-themed restaurant where the waitresses look like Mamie Van Doren and the waiters look like a jaded Steve Buscemi playing Buddy Holly. Mia and Vincent have a great time but like all non-dates with your Super Gangster boss's wife, it ends with Mia accidentally overdosing after snorting a lot of heroin because she thinks it's coke. 


Expectations: Medium - High. I hadn't seen this movie in more than 10 years but when I had it on tape (yes, VHS, that is correct), I must've watched it every week for two years straight (circa 1995-1996). I know what's coming... Was it a better movie now that I'm older? Or did it feel dated?

For being one of the most original movies I've ever seen,
Pulp Fiction opens with probably the most clichéd beginnings I could conceive of: the literary definition of a word. In this case, the word "pulp" and it's pronunciation and definition are shown in white letters on a black screen long enough for you to read it. You're supposed to reflect on the definition as it pertains to the story that's about to unfold. On any given high school graduation day, no fewer than 97% of all graduation speeches begin this way...
"Webster's Dictionary defines 'perseverance' as..." And then some nerd prattles on for 8 minutes about the trials and tribulations that lie ahead for his graduating class in The Real World, a subject he has NO EXPERIENCE with which to base his advisory speech on. It's predictable, it's boring, it's beneath Quentin Tarantino. But I'll allow it.
So how do you know if you're watching a Quentin Tarantino flick? Ask yourself these simple questions as you watch the film...
  1. Are there scenes of brutal violence sprinkled throughout?
  2. Does the dialogue sound like Andrew Dice Clay with Tourette's Syndrome?
  3. Is Samuel L. Jackson in it?
    If you answered 'Yes' to all three of these, chances are you're watching a Quentin Tarantino film. And Pulp Fiction is no exception, although it was definitely the film that gave him carte blanche in Hollywood.

    Being a gangster flick, you expect the scenes of brutal violence. What I still find surprising is the relationship between Jules and Vincent. If you didn't know any better listening to their banter, you'd think they were married. Bickering about whether foot massages are sexual or friendly, gossiping about people at work, and eating together at Denny's. It's unclear which of them would be the Butch and which would be the Bitch, but I'm leaning towards Vega being the man in that relationship, despite his Morticia Addams hairdo.



    Altogether kooky...

    Somehow, despite my natural inclination to leave the room when John Travolta comes on the TV, I found his performance in this movie to be just above decent. I still really dislike Travolta movies but he was able to pull off the role of Vincent Vega, a thug who wasn't suited to be anything else in the whole world but that. He's even believable shooting heroin with a needle older than Betty White.


    As far as the dialogue, there isn't any that sounds forced or uncharacteristic. Yes, there's a lot of bad language and casually dropped F-bombs, but you have to remember the world these people live in. There aren't many well traveled, Ivy League educated gangsters out there. The word "fuck" is just an audible pause in a lot of circles and this is no exception. In between scenes of tense showdowns, brutal violence, Uma Thurman doing a bump in the ladies room, or Marvin accidentally getting shot in the face, there's also interesting and introspective dialogue taking place. Sometimes it gets a little wordy and unbelievable (Jules reciting Ezekiel 25:17 before he smokes some foo') but other times it's honest and random and you know you've had similar conversations with your friends (the Royale with cheese). In short: very well-written.

    The last sign that you're watching a Tarantino movie is usually the most obvious: Samuel L. Jackson. Not sure if he's in the movie? If there's a man who appears to be constantly on the edge of killing someone or is already yelling obscenities about snakes being on a plane, you might be watching Samuel L. Jackson. For final verification, please review the following photo. Is this the man yelling?


    "I thought I told you 'no peppers' in my Denver omelette."

    My favorite element to this movie, though, is The Case. The briefcase that neither Jules nor Vincent would give up for anything. The case with the mysterious light shining out, the one that caused all the trouble for Brett before he got "churched up" and shot down. A few people get to see inside the case and Ringo is downright amazed by what's inside. But we, the audience, never get to see it. So what the hell is it?! Cash? Diamonds? Human souls? An iPad? And that's my favorite part... It's whatever you want it to be. You get to imagine another storyline revolving around the case and the characters in the movie and what would be so valuable people would wreak such carnage on others to get the case back. Another recent example of this kind of extra-dimensional screenwriting is from Lost In Translation, when Bill Murray meets Scarlett Johansson just before he leaves Tokyo and whispers something in her ear. What did he say to her? I guess that blank is left for me to fill in. By using this element of mystery, in a way Tarantino creates a different movie for each person who watches it. So what do you think is in the case? Leave your responses in the comments at the end of this post.


    It was fun to watch this movie again, especially since I got to introduce it to my wife. It didn't really feel too dated, except that no one used the internet for anything in the movie. At times, I wondered if I wasn't cool enough to "get" this movie anymore. Have I grown up or grown old since I was the badass little punk who watched this movie weekly? Where did my rebellious nature go? Did I sell out?! But then my wife brought me some popcorn and a beer and we talked about going to the Home Show next weekend before we have some friends over to grill pork chops with... Now that's pretty cool. I dig it the most.

    Overall: 8 out of 10. There's no denying the iconic nature of this film. Google search "Top Ten Movies of the 90's" and Pulp Fiction comes up in almost every list by every smug, pretentious, snotty, self-important internet film critic... Mine too! Pulp Fiction had no real genre to categorize into, kinda like John Denver. Except not dead in a plane crash...


    Why only 8? One person: John Travolta. Even though this is his best role, I'm always aware that I'm watching someone act when I watch JT. Plus he dances in this film. Again. In a bolo tie. Find me one Travolta movie where he doesn't dance and is not based on the piss-poor sci-fi of a pedophiliac L. Ron Hubbard. 


    LRH2.jpg
    "Candy, little boy?... Vodka?"

    I'm also docking a point for loose script-writing during the final scene in the restaurant. Pumpkin and Honey Bunny are robbing the place, Jules produces a bigger gun, drops some science on Tim Roth about God, destiny, being a bad mofo, all that junk... The whole robbery plus standoff takes about 15 minutes... During which time NO ONE walks into the restaurant?! I call 'bo-shit.'

    Best Scene: The dumbest story has the best scene. For a quick recap, Mia has just overdosed on her platonic date with Vincent after she accidentally snorted a large line of heroin (I'm sure we can all relate). As you'll recall, Mia is Marsellus's wife and Marsellus would be justified in castrating Vincent if Mia died. Just for fun, let's throw in the added complication that Mia cannot go to a hospital because of the federal indictment shitstorm that would rain down once the biggest gangster in LA's wife checked into the hospital due to an overdose. Please to enjoy rest of story...




    Trivia: 


    The "Bad Motherfucker" wallet actually belongs to Quentin Tarantino.


    Contrary to what all your stoner friends tell you, all the clocks in the movie are not set to 4:20. Just the ones in the pawn shop. Cuz I guess 4:20 is as good a time as any for... I can't even type it out. But you know what it is...

    Daniel Day-Lewis wanted the role of Vincent Vega but Tarantino said "No way, Christy Brown." Somewhere, the 90's breathed a sigh of relief...

    Pulp Fiction is also the movie that started the 90's craze, Movies with Soundtracks to Sell (see The Crow, Empire Records, Romeo + Juliet, or click on the titles to buy the soundtrack from Amazon). 

    What my wife said: She'd never seen this movie. I decided not to clue her in to the pawnshop basement "Bring out the gimp." scene. No words could convey what this expression does..
    "They're not gonna... Oh. They are."

    Who would enjoy this movie: 16-year-old Wes; That dude who lives on your couch, doesn't have a job, never shaves, wears the same bathrobe all day, every day, eats all of your goddamn cereal all the time, and kinda looks like Eric Stoltz.

    Watch it if you like: Samuel L. Jackson. This is the movie that made him a star, despite being in some 40+ movies prior to Pulp Fiction.
    Next in the Q: Inglourious Basterds. Yep, I'm on a short Tarantino kick. Also, my spellcheck keeps flagging this title in my list of movies to watch...